“Cinema is a matter of what’s in the frame and what’s out.” – Martin Scors ese Continuing with screenings of “ Manhattan” and “T he Black Stallion” on September 10 and 11at the Samuel Goldwyn Theater in Beverly Hills. The 4/3-type 1 2.1-megapixel Live MOS sensor featured in the DMC-GH1 is able to offer the best of both worlds - the superior image quality of a full-frame CCD sensor, and the lower power consumption of a CMOS sensor.
VELACLOCK DELUXE MOVIE
The panel was composed by leading cinematographers, digital SLR experts and industry representatives as they elaborated in the technical pros and cons (read prior posting CMOS VS CCD) of this new variant of the CMOS video chip technology encased in a SLR still camera, specifically the Panasonic Lumix GH1 featuring full HD movie recording in AVCHD and using ν (nu) Maicovicon technologies. PicturedĪbove with Martha Winterhalter, Publisher of AmericanĪnother seminar that was very informative was " Digital Still Camera as a Tool for the Cinematographer" presented by the Digital Cinema Society. Starred by Jane Seymour and Christopher Reeves. Photographed by Mankosfky, and directed by Jeanot Swarc. The making of the cult masterpiece "Somewhere in Time" Seminar and shared with the audience his experience about Isadore Mankosfky, ASC was also part of the Master Lighting
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